Emily Swallow
Swallow's career began at Broadway theatre, which she starred in several productions. These included High Fidelity and King Lear at the Guthrie Theater. Other shows included Much Ado About Nothing for Shakespeare in the Park. The off-Broadway debuts of Romantic Poetry and Measuring for Pleasure. Swallow debuted in film as a dramaturge from the military, The Lucky Ones. She starred alongside Mark Rylance at the Guthrie Theatre in Louis Jenkins' play Nice Fish. [citation needed] being in Donald Margulies' play The Country House in Los Angeles' Geffen Playhouse. Swallow also appeared at Manhattan Theater Club in John Patrick Shanley's Musical Romantic Poetry, which was an international premiere. In 2010, her performance as a character in The Taming of the Shrew was awarded an award called the Falstaff Award. Swallow and Jac huberman performed a Jac N Swallow stage show in New York, at both the Laurie Beeckman Theater & Joe's Pub on the 4th of December in 2012. The show is based around the hilarious mishaps of the duo who face a variety of issues in their lives with various levels of dignity and sanity. The show is currently being developed following these characters. It's worth noting that in 2013, she collaborated with Mark Rylance on a world premiere production of Nice Fish, at the Guthrie Theater. She was cast as the lead character of Ayad Akhtar's The Disgraced. It was which was produced that was produced by Center Theatre Group. Center Theatre Group. Swallow had her first role on TV in Guiding Light. Later, she played roles as Southland. Ringer. The Good Wife. NCIS. Flight of the Conchords. Medium. As Dr. Michelle Robidaux, the series regular in TNT's Monday Mornings[2]. She was the FBI agent Kim Fischer in The Mentalist. In 2015, she played the character Amara in the 11th season of Supernatural as "the Darkness". In the year 2019 she assumed the character in the role of Armorer in The Mandalorian, a Star Wars series The Mandalorian as the head of the traditional Mandalorians. The Mandalorians who are traditional don't take off their helmets so that others can view. The character has been increasingly observed in season 3 because the plot concentrates more on the Mandalorian individuals and not only the Mandalorian
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